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The popularity of Korean romance novels in contemporary China: A feminist interpretationopen access

Authors
Yang, YiYoon, Seokmin
Issue Date
29-Oct-2023
Publisher
John Wiley and Sons Inc
Citation
Journal of Popular Culture, v.56, no.3-4, pp 689 - 703
Pages
15
Indexed
SSCI
AHCI
SCOPUS
Journal Title
Journal of Popular Culture
Volume
56
Number
3-4
Start Page
689
End Page
703
URI
https://scholarx.skku.edu/handle/2021.sw.skku/109460
DOI
10.1111/jpcu.13267
ISSN
0022-3840
1540-5931
Abstract
This essay deals with Korean romance novels translated into Chinese, especially the works of Kim Ha-in and Guiyeoni which forms a pattern of cross-cultural communication from the marginal culture to the center. Most studies treat them as an aspect of fast-food culture that undermines serious literature, with little attention to this literary and cultural phenomenon. Why are Korean romance novels so popular in contemporary China? There are some answers from different perspectives. However, it is obvious that Korean romance novels offered Chinese women the opportunity to reconceptualize gender. This article contributes to criticism on the interface between Korean romance novels and Chinese feminism and further unveils the relationship between Korean popular romance novels and new interpretations of femininity in contemporary China. The success of Korean romance novels benefits from the conscious choice of Chinese readers in the cross-cultural context, influenced by changes in Chinese women's concept of gender. The response to the aesthetic needs and expectations of readers has prompted the appearance of inverted cultural export, wherein such novels influence other cultures, reflecting upon and even challenging the gender concepts of other countries, which manifests the symbiotic relationship between popular literature and feminism. © 2023 Wiley Periodicals LLC.
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