ScholarX: LIM, TAE SEUNG

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LIM, TAE SEUNG (임태승)

The Academy of East Asian Studies

Research Area: 중국미학, 한국미학, 중국철학,, 동아시아문화

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孔子:6||Confucius:6||Confucianism:4||Shin Yunbok:3||literati:3||文人:3||逸:2||duplex placement technique:2||icons and codes:2||genre painting:2||Genre painting:1||Going to Wei(衛):1||Icon:1||Implication:1||Ji Shi 季氏 (the Ji family):1||Ji family (季氏):1||Jipingzi(季平子):1||Jianyue(僭越):1||Kangahm(剛菴):1||Mentalité:1||Modernity:1||Nameshape paradigm:1||Paik Nam June:1||Preface for Painting of Landscape (畵山水序):1||Ranyou (冉有):1||Reconstitution:1||Separation:1||TV Buddha:1||The course of a journey:1||The hardness of ink:1||Trip around the nations:1||Xi Shan Qin Kuang 溪山琴況:1||Xu Shangying 徐上瀛:1||Yili(儀禮).:1||Zen Buddhist meditation:1||Zhengming (sic):1||Zhuanyu (顓臾):1||Zong Bing (宗炳):1||a country with a thousand chariots:1||a thousand chariots:1||aesthetics:1||appreciation of the ugly:1||chariot:1||clarification of mind and observing Dao:1||clarification of mind and taste of image:1||code:1||convergence of Confuciansim and Daoism:1||dongjing (movement and stillness):1||fan jing 反經:1||he 和:1||houjin 後進.:1||icon &:1||institutional rite and music:1||jing 經:1||liyue 禮樂:1||middle reclusiveness:1||plainness:1||political realism:1||popular calligraphic style:1||principled legitimacy:1||quan 權:1||residents of 野:1||the Analects of Confucius:1||the chariot war:1||the combination of Confucianism and Taoism:1||the concept of aesthetics:1||the genealogy of aesthetics:1||the unity of Confucianism and Chan Buddhism:1||traditional calligraphy:1||ugliness:1||ugly calligraphy:1||unconventional naturalness):1||utilitarian legitimacy:1||wanwu(萬舞):1||wenwu(文舞):1||wuwu(武舞):1||xianjin 先進:1||ya 雅:1||yi (unconventional naturalness):1||yi(逸:1||yi(逸: unconventional naturalness):1||yige 逸格.:1||yiwu(佾舞):1|| Zigong(子貢):1|| gaoshuo(告朔):1|| xiyang(餼羊):1|| zhengming(正名):1|| 告朔禮:1|| 子貢:1|| 正名:1|| 餼羊:1||「畵山水序」:1||『溪山琴況』:1||中隱:1||乘:1||僭越:1||儀禮.:1||儒家:1||儒禪合一:1||儒道相補:1||儒道禪 융합:1||儒道融合:1||先進:1||八佾舞:1||冉有:1||剛菴:1||千乘:1||千乘之國:1||反經:1||周遊:1||和:1||孔門.:1||季平子:1||季氏:1||宗炳:1||審醜:1||平淡:1||後進.:1||徐上瀛:1||意蘊:1||權:1||流行書風:1||澄懷味像:1||澄懷觀道:1||濃淡:1||禪宗:1||竹畵:1||經:1||美學:1||行程:1||車戰:1||逸格.:1||適衛:1||醜:1||醜書:1||野人:1||隔:1||雅:1||顓臾:1||만무(萬舞):1||무무(武舞):1||문무(文舞):1||미학개념:1||미학계보:1||아이콘과 코드:1||일무(佾舞):1||재구성:1||전장예악(典章禮樂):1||정통서법:1||論語:1||Aesthetic structure:1||禮樂:1||Bamboo paintings:1||Bayi Wu(八佾舞):1||Chanzong(禪宗:1||Chinese Buddhism):1||Code:1||Confucian school.:1||Confucius/Kongzi(孔子):1||Confucius’ political philosophy:1||Formobservance:1||

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(03063) 25-2, SUNGKYUNKWAN-RO, JONGNO-GU, SEOUL, KOREA samsunglib@skku.edu

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